
“As it stands now," Townsend says, "I have the last descent on Joffre, because half the mountain fell off. We watched two of the three lines off that peak disappear forever.”
The Fifty started out as a personal challenge. In January, the 36-year-old California native launched the project, which he anticipated would take place over three winters. He started a video series, with an episode about each of the peaks. He didn’t realize how much the quest to tick off lines was going to be a race against receding glaciers and a potential eulogy for the ski routes themselves. He didn’t think he was signing up to record last descents.
Last winter, Townsend ticked off 20 of the lines and released 16 episodes. The biggest surprise, he says in the second season of the Fifty video series—which launched this month—has been how quickly the snow is changing. Melting glaciers, landslides caused by warming, and variable snowpacks forced him to change his routes. “This book, which is supposed to be this permanent book and stand a test of time,” he says, “instead feels really temporary. It’s a strange and really, really sad thing.”
Conveying what’s happening in the high country has always been a part of mountain athletes’ jobs. As long as skiers and climbers have been sponsored, they’ve been responsible for returning with trip reports from the roof of the world. Now they’re also on the front lines of change—they have the skills and ability to get into fragile places where even glaciologists rely only on lidar and satellite technology and aerial photos. The IPCC Special Report on the Ocean and Cryosphere in a Changing Climate, which came out in September, painted a dire picture of the future of high-mountain ice. Small-scale glaciers are predicted to lose 80 percent of their current ice mass by 2100. Moving at a glacial pace isn’t an adage that works anymore.
Take Mount Baker, Washington. Preparing to ski the Watson Traverse in May, Townsend and videographer Bjarne Salen had looked at a friend’s five-year-old photos and picked a seemingly mellow line. But when they arrived, they found that the glacier was broken up and riddled with crevasses. “Bjarne and I skied on a rope the whole way down, because there were giant crevasses and seracs peeling off,” he told me. “It was the scariest 25-degree slope I’ve ever skied in my life. I came away from that being like, At this pace, this line is going to be unskiable in ten years, tops.”
In the overwhelming quickening of global climate impacts, it can feel like nothing moves the needle on change, in the outdoor world least of all. As Ethan Linck pointed out in what has become a seminal essay, “Your Stoke Won’t Save Us,” published in High Country News in May 2018, it’s not enough to rip big lines. “Stoke,” Linck wrote, “seems like a shaky bet for effecting the dramatic change necessary to halt accelerating ecological collapse.”
The thing that does feel valuable, I think, is connecting the dots between the field of science and being out in the field itself. Because of climate change, there’s a fundamental shift happening in how we can access places and how we’re going to do so in the future. A last descent is both a hard stop and a story about the impermanence of the places that stoke us up the most.